Thursday, August 6, 2009

Here We Begin...


Barton Springs
Photographer: Billy Kim

Q: Do you feel a sense of community in Barton Springs?

A: Let's just say I can recognize people by their butts underwater.

Patrick, Billy, and myself plan to present our project on Barton Springs in the form of a multi-media blog. Posts of pictures, text, video, and web links will be organized by topic, and all three of us will contribute content individually that will add to the overall understanding of the topic. The blog will show many different perspectives on the Austin icon. We will profile a few of the many groups that use Barton Springs, and we will investigate how these groups interact. We will expound upon the difference between the pay side of the pool and the free side of the pool. We will record individual visitors' impressions of the pool. In addition to these more traditional focus points, we will focus on the making of the project. As first-time ethnographers learning as we go along, we feel we can provide valuable insight into the nature of fieldwork, journalism, and social science work in general.

All of us will contribute in some way to each topic, and for most topics all three of us will provide our individual thoughts. Certain sections of the blog, such as the general introduction and conclusion, will be collaborative works. In addition, all of us will provide photography throughout the project.

Topics to be added:

The Free Side of Barton Springs

End of the Line

Brian

Chris, a.k.a. J-Blake

-Jonathan McJunkin

Energy of Youth

An Austin Youth Mid-Flight,
Photographer: Jonathan McJunkin

Daring feats like this occur every day on the Barton Springs diving board.

First Timers Learn to be Flexible

The First Focus 
Photographer: Billy Kim

A Special Pool
Photographer: Billy Kim

First Time Ethnographers 
Photographer: Jonathan McJunkin

The Regular
Photographer: Billy Kim

It is said that the best way to learn is to do. The process of fieldwork for this project has proved the truth in this maxim.  In the planning stages, all of us had a clear vision of a very straightforward project.  We became interested in Barton Springs pool because we had come to learn that it was once the main segregated pool in Austin.  Our stated purpose was to see how this aspect of the pool’s history affects its community.  The method we planned was equally straightforward: we would ask a random sampling of people a fixed set of interview questions.  One of these questions was “How do you feel about the segregation that occurred here?”  At the time it seemed like a question that may generate controversial and interesting answers.

When we began to conduct interviews in this fashion, we got dismal results.  “We’re here for a picnic.”  “We come a couple times a year.”  “It seems pretty diverse.”  “Segregation was bad.”  It became apparent that our original narrow focus was constraining us.  Barton Springs is a dynamic and vibrant part of Austin, and is frequented by many interesting people.  In our early interviews we glossed over this aspect of the pool, instead trying to support our hypothesis that historical segregation had affected the community.  We decided to change our objective.  Instead of building our perception of Barton Springs from a general hypothesis, we decided to build it from the stories and perceptions of individuals and groups.  To this end, we made our interviews much less structured and let our conversations flow where they would.  We did, however, ask one specific question: what are your thoughts on the divide between the free side of the pool and the pay side?  Rather than searching for a divide that stemmed from segregation, we decided to explore a divide that was both clear and present.  The first person we interviewed in this style was a Tai Chi practicing regular, name withheld.

He was a man well into middle age, in remarkable shape.  He had been going to Barton Springs three times a week for eighteen years, ever since he moved to Austin from New York.  It was clear how immersed he was in the pool community, even recognizing some friends by their butts.  His ritual of Tai Chi was not simply for the relaxation, he did it for the care of a bad hip.  During our conversation, we heard a group of young men and women dressed in black hooting and hollering over on the free side (these are the Juggalos, and are treated in more detail later).  We asked him what he thought of them, and of the free side in general.  He said he saw the divide between the free side and the pay side as mostly a matter of age, as young people enjoy the less restricted atmosphere of the free side.  We asked if he saw any other differences in the community.  “Yes”, he said, “compared to the rest of Austin there are not nearly as many Hispanics here at the pool.”  Why is this?  According to him “they are used to warmer water back where they are from.”  Finally, we had some actual honesty and insight into the community.  His observation may hint at a possible de-facto segregation beneath the surface of Barton Springs.  On the other hand, in my personal opinion, the water temperature explanation for Hispanic under-representation is plausible.  Either way, by becoming more flexible in our interviews we gained real insight into the community of Barton Springs.  This illustrates a clear lesson that applies to all qualitative research: sometimes the best way to gain information is to let it come to you.

-Jonathan McJunkin

30 Years and Counting

Patricia
Photographer: Patrick Steadman

This is Patricia.  She visited Barton Springs for the first time in 1979.  Now she comes four or five times a week, less in the winter months.  Sometimes she doesn’t pay the park admission fee, instead preferring to sit at the picnic tables which overlook the pool.  There, she can spend the whole day watching the people below.  When we photographed her, she was sitting with a younger man, who silently moved out of the frame of the shot.  He had thick, brown hair that fell in clumps to his shoulders, and wore a thin floral print oxford without an undershirt underneath.  He obviously didn’t want his picture taken.  As we talked to Patricia, he reached into her floppy shoulder bag and rooted around for a lighter.  But he did this without looking into the bag, keeping his eyes on us the whole time.

Patricia seemed upset that she couldn’t help us more.  Even though she had watched the place evolve for thirty years, all she had noticed was that more out-of-towners seemed to show up.  But this wasn’t a problem: currently, she thinks the ratio is about 50/50.  She remembered how segregated Austin was in the past, but it had never really affected her.  She just remembers that it had been a big problem.

-Patrick Steadman

A Juggalette on Juggalos

Juggling the Jocular Juggalos

(hi!)

The Juggalo Subculture, Commercialized

The Man on the Bench

Brian 
Photographer: Billy Kim

Our encounter with Brian was interesting because he initiated the conversation at a time when we weren’t even “trying” to do research.  We were sitting on a circular wire-frame bench, tired but thrilled after our first night of work on the project.  The bus didn’t come for a long while.  The conversation became an evaluation of the day’s efforts.  We tried to figure out why some of our interviews fizzled while others yielded interesting information.  Having formal goals and a set list of questions didn’t seem to work.  But asking questions without any context or aim in mind led to awkward silences.  In my mind, the trick was to spring upon the first interesting piece of information, and create a custom context to conduct the interview within.  The “context” of the interview with the juggalos had been created when I gave one of the guys a buck to buy cigarettes with, after he asked for cigarettes.  After that point, the conversation had been fruitful because both parties knew how they related to the other.  The juggalos were doing me a favor by telling them about themselves, and I wasn’t just being a nosy asshole because I gave them cigarette money.  Of course, offering cigarettes wouldn’t be a good hook for most other interviewees.  But for an older person, offering an interesting historical anecdote might do the same thing.  Asking the same formal questions (questions typed up before entering the field) will only lead to the same formal answers.  Instead of stubbornly insisting on sticking to a data-collection scheme, the documenter has to create the purpose of the work as he or she collects information, continually using the new information to redefine the purpose of the documentary.  As they say, a battle plan is the first casualty when two armies meet.

But back to the story of Brian.  I figured that the best way to make connections with people would be to offer these sorts of trinkets, whether they be information, compliments, or actual cigarettes.  I was reminded of how Hortense Powdermaker brought along huge cases of Marlabos, which she would carry around to offer to the Lesu men.  It was the same idea, except modified for use on angsty teenagers.  So we would have to get some cigarettes.  But where?  None of us were eighteen.  But Jane was.  Or maybe they wouldn’t check ID.  What was the worst that could happen, really.

At this point in our deliberations, we heard a snorting laugh.  Not an unkindly laugh, just a gruff outburst of amusement.  It was the guy who had been sitting silently on the opposite side of the circular bench, jaw resting on his fists, elbows on his knees.   He held a long, thin cigarette between two crooked fingers, and the embers scattered and glowed in the dark wind.  I thought about what I had just told myself about “context”, and decided to do something silly.

I asked him if I could buy a “couple of cigarettes”, and to prove my intentions, I awkwardly extracted my wallet from my pocket.  He laughed again, again amused, and shook his head.  “You don’t want these.  Nasty things.  Cheap.”  I remembered how my great-grandfather would smoke the same sort of smokes, and how terrible the car would smell.  Very nasty indeed.

For some reason he started apologizing, saying he just though we were funny.  I asked him if he’d been at Barton Springs. It was an obvious question, but I hoped it would lead somewhere useful.  It did: he was a regular, and when I asked him how often he came, he told us that he’d taken the bus down to the springs every day for the last three weeks.  For twenty-seven years, Barton Springs had been “a home to him.”  It’s hard to say exactly what he meant by calling Barton Springs his “home”.  It could have been simply hyperbole, an expression of his love for the place.  But from his dress, and his mannerisms, I’d guess he meant “home” in a literal sense.

We asked him if he felt a sense of community at Barton Springs, since he spent so much of his time there.  And he did.  As we boarded the bus, he told us about some of the people he knew on the “creekside”, some “good people”.  He finally asked why we wanted to know all “this stuff”.  We explained the purpose of our project, and our goals.  He seemed to get it instantly.  He launched into a series of anecdotes, telling about the different people that had become “associates”.  They weren’t necessarily friends, he said, but he knew each of them by name and would talk about whatever was going on.  There was the late “Francis”, who had his ashes scattered over the park after his death about ten years ago.  He also had a friend who had spent so much time there that he got on the board of the springs, even though he was homeless.  He said that most of the people he knew simply “didn’t want to participate in domestic life.  They don’t want to make trouble.  They’re cool people.  Most of the problems, the fistfights and the vomiting drunks, happened on the other side, the “paid side”.  He felt that there was a big division between the two sides of the fence.  The cops didn’t bother the people on the free side.  It was quieter; nobody would bother you if you didn’t want to be bothered.  But at the same time, you could talk to anybody.  He seemed happy to tell us about his connection to the place.

“Barton Springs is one of the few places in the world where things are really cool,” he said, with an air of finality.  I wonder if the double entendre was intentional.

He started rattling off facts about the springs.  He knew his shit.  There are lots of misconceptions about the Springs, he said: for example, the water doesn’t go into the Colorado River, it goes into the Edwards.  He told us that he often looked up stuff about the springs on the internet.  And he had read the historical society signs over and over again.  The Natives had been using the site for for thousands of years before “Uncle Billy” Barton bought out the springs.  The water is, on average, 68 degrees Fahrenheit. There are 27 million gallons of water.  He repeated this fact, making sure we were impressed.

I asked him to tell us a joke.

After thinking for a few long minutes, he brought out this gem: “let a weird mathematician do a number on your sister.”  He smiled sardonically.  Two guys in the front of the bus roared with laughter.  They were carrying fishing poles and empty coolers, and sweat circles sagged under the armpits of their polo shirts.  We explained our purpose, and they seemed very excited to help.  They came a lot, for fishing, of course, great fishing.  One of the guys, who introduced himself as Eric, said he had just one thing that he wanted for us write down: “There’s nothing you can’t do legally in Austin.”  He nodded significantly.  I carefully wrote down his wise words.

“I know those guys,” said Brian quietly.  “I see them most nights.  You’re lucky you got this bus.  It’s the last one of the night.”

Brian got off at 6th street, wishing us luck.  On every other trip we took to Barton Springs, we saw him, often just in passing.

-Patrick Steadman

The Field of Serendipity: Our Experience (1)

Fellow Travelers
Photographer: Billy Kim

The Ride
Photographer: Billy Kim

Emergency!
Photographer: Billy Kim

The Metro Station
Photographer: Billy Kim

Photographer: Billy Kim

Metro Station Clock Tower
Photographer: Billy Kim

That the future is uncertain is a given. It is the basic principle upon which all field research is predicated and thus has important effects on the outcome, providing both great risk and opportunity to determine failure or success of projects. Recognizing the uncertainty that is inevitably present in their work, therefore, becomes an essential foundation and knowledge for field researchers. As aspiring students of field research, we were certainly no exception to this rule.

Two unexpected events occurred during our second trip on Friday, July 23. First, we were lost in Austin. Second, we met Chris, a.k.a. J-Blake, who became our cordial friend and guide to the city. The former was due to our lack of knowledge of the Metro bus system; the latter happened because of the former. Both events were accidental coincidences. Questions: What were their implications? And to what extent did they influence the development of our project?  At the time, to tell the truth, we doubted whether they were of any significance.

There are two bus routes from the sorority house we stayed to Barton Springs—the “short way” and the “troubled way,” we would jokingly call them.  The “short way,” which goes through the 21st Guadalupe section and directly into the pool area, takes 18 minutes; the “troubled way,” as the name suggests, takes about twice as much time. Having missed the bus by less than a minute at the 21st Guadalupe NW corner, however, we were compelled to take the longer route on our second trip. It was only the start of our troubles.

Exhausted from the previous night, we fell asleep after climbing on the bus. Like a siren’s song, everything was gently shaking in rhythmic vibration—the bus, the people, and the landscape through the window. I could not resist the temptation of a short sleep. As I woke up, however, I realized that we had missed our stop at Barton Springs. The scenery was unfamiliar as were the street names. We—at that point all three of us were wide awake—looked at one another nervously. We were lost.

“This is perfect,” I said, letting sarcasm enter my voice. We were at the Metro Station, the central bus station of Austin. A strong breeze from the west was blowing and the sky was dark and cloudy. It was already 7:30 p.m. We weren’t sure when the next bus would come to take us back to Barton Springs. We waited. The place was surreal, sublime, and, most importantly, deserted of human presence; it consisted of grass-covered vineyards that, for some reason, reminded me of the Secret Garden. The metallic pillar, which said “METRO,” towered over us like Mr. Craven scolding his children.

The bus eventually arrived at 8:12 p.m. By the time we reached Barton Springs, the sky was almost completely hidden by dark clouds. I thought we had missed our opportunity—no one was there. Only a handful of people were getting ready to leave. The time was pressing. We needed to interview as many of them.

-Billy Kim

The Field of Serendipity: Our Experience (2)

The Division
Photographer: Billy Kim

The Paid Side
Photographer: Jonathan McJunkin

The Free Side
Photographer: Jonathan McJunkin

Fence
Photographer: Billy Kim

Chris, a.k.a. J-Blake
Photographer: Patrick Steadman

The last person we interviewed among the group was Chris, who preferred to be called “J-Blake.” He was wearing a bandana, sandals, and black military trousers. An Austin native, he had lived in the city for 17 years and recently returned from his two-year cycling trip across the U.S. He had a very jovial temperament and genial disposition that won him friends wherever he went—including us. His voice was high-pitched for a man, sounding close to a young adolescent. He talked fast, and wanted to tell whoever was around about his life and opinions. During the interview, he would often wince at our questions, explaining that it was a habitual gesture.

What immediately captured our attention was the content of his specific sociological claims. Chris made some very salient points about the current situation of Barton Springs. “It [Barton Springs] has changed for the worse,” he said, “It is not the same natural pool anymore, you know?” He defined the “natural pool” not only in the physical geographical sense but also in the human sense: “Four years ago, everyone was friendly and together. There was no group. Now people—including college students, hippies, and old folks—are in separate groups. It is not the same place.” Evidently he was hinting, in his crude yet sensible manner, that the community was experiencing a change, which largely involved the loss of community identity that had once existed.

Chris attributed the reasons for this change to the pernicious influence of overcrowding. “People come from everywhere to Austin—from L.A., from New York, wherever you name it.” He was suggesting that solidarity in a community, particularly in a culturally homogeneous community such as Austin, could weaken given a massive influx of “new people.” The ramification is two-fold. First, “not many people know each other,” implying their foreignness prevents the inhabitants from building a sense of shared community. As a visitor to the city myself, I agreed to the point. Second, “Austin needs to somehow accommodate all these people.” The recent growth of population in the region has dramatically changed its scene. The environmental conditions of the pool, for example, have “gone worse” due to upstream urban development. The price of tickets became more expensive and Chris’s weekly trips dwindled. According to him, it was $1 four years ago; now it is $3. As the pool became more inaccessible to the general population, the division between the “free side” and the “paid side” widened. “I only see Hispanics, hippies, and dog-owners on this side [the ‘free side’] of the spring today,” Chris observed.

In the end, it was refreshing to see a new perspective: that the sense of separateness at Barton Springs was intensified by the city’s rapid growth and the diversity within its population. Meanwhile, I felt an excitement that was reassuring. Chris eventually became our friend and local guide to the area. He would play a key role in organizing trips and introducing us to other “regulars.” This, I felt, was the essence of field research; the field of serendipity is always open to opportunities.

-Billy Kim

Splash!

A Typical ATX Social Cyclist
Photographer: Patrick Steadman

A weekly tradition: The ATX Social Cyclists' Thursday night belly flop contest.

It was a warlike festival. Everyone was shouting and cheering loudly, rooting for their champion belly flopper—a white, balding, middle-aged man in a tight red swimsuit. He was about to perform his diving routine. Then suddenly a silence. A few seconds later, a monstrous splash. The champion had just won another gold medal. The cyclists went wild.
Social Cycling ATX (Austin Texas) is an organization for Austin cyclists who wish to meet, socialize, and of course ride with their kindred spirits.  Just as we had given up hope of something interesting happening on our second night in Barton Springs, they descended on Barton Springs like a swarm of college aged locusts.  Most of the cyclists are students at the University or in their mid to late twenties.  They come to the pool after nine, when the pay side becomes free.  The atmosphere is electric, as one can see from the video.  It seems as though the social function of this group is a kind of mass blind-date setup.  Flirting, snuggling, snogging, trying to impress, and other human courtship behaviors were observed throughout the night.   Meeting the cyclists gave us a view of Austin’s vibrant youth culture that we had not yet seen. 

- Billy Kim & Jonathan McJunkin

Social Cycling ATX has a blog: http://socialcyclingatx.tumblr.com/



Love By Bike Light

Amor

Photographer: Jonathan McJunkin


“The course of true love never did run smooth” (A Mid-summer Night’s Dream, I, i).

There was a tension-filled romance slowly unfolding in the air.

-Billy Kim

The Odd Couple

Antony and Marilyn
Photographer: Billy Kim

Under normal circumstances, we would not have talked to Antony and Marilyn. A middle aged couple sitting near us on a bus, kissing and whispering sweet nothings to each other. They would have been none of our business. However, this project made the business of everyone at Barton Springs our business. So we decided to start a conversation. Billy asked to take their photo, and they happily obliged. They were very enamored with the idea of a stranger taking their picture, and they considered it a magical and serendipitous event which confirmed their view of the universe as a magical and serendipitous place. They were “soul mates,” as they said, both 45 years old. Sharing their lives with three young men from the University was just the thing they wanted to do on a Thursday night. Their cooperation may have been related to the plastic two liter bottle beneath the bus seat, sans label. Antony told us the story of why they were on the bus that night. They had just moved to Austin two weeks ago, and Antony had recently gotten out of jail.  He previously had a job designing computer dust, “All kinds of algorithms and shit” as he put it, but he did not talk about his current employment situation. He did, however, let us know that he was a celebrity and that we should check out his blog sometime. They had to ride the bus around everywhere because their $49,000 Lexus had been impounded due to debt. According to them, commuting in this way took up four hours of their day. The life story that they presented us had the common theme of a fall from grace, he from his cushy computer graphics job and she from her excellent pedigree. “You might think my wife’s a dim bulb”, Antony said in response to his wife’s slurred speech (she talked very little during the ride), “but look at this.” He produced a genuine MENSA membership card from his wallet and showed it to us like it was a Nobel Prize in physics. In addition, his wife “was the daughter of the inventor of unleaded gasoline.”

As they walked off onto Sixth street, holding hands and tottering down the street, the bus driver remarked “These two are INSANE, gentlemen”, with a tone of voice which suggested that he had dealt with them before. It was a warning none of us needed. It would be foolish to take the booze-addled story of a celebrity graphics designer and his gasoline heiress soul mate riding the bus at 10:00 pm on a Thursday night at face value. However, stranger things have happened. Given the current economy, who are we to judge their reported circumstance? In addition, it doesn’t matter much if the story is true or not. Whether it is self perception, delusion, or objective reality, the fact that they chose to share this story with us says a lot about them. People do what they have to do the preserve their self-respect. If it is fabricating a life story for three seventeen-year-olds on a bus, so be it.

-Jonathan McJunkin